Analog Laboratory

Development 16 and 35mm

SCANNER

  • Receipt and verification of negatives to scan
  • Evaluation of the need of restoration
  • Film cleaning
  • Assembling of the shots on the same LabRoll as per edit lists
  • Scanner calibration
  • Loading film at the punch hole
  • Establishment of the time code (TC) of LabRoll (LR)
  • Indexing of the images to scan
  • Quality checking of the scan

TELECINEMA

  • Format : 35mm, Super 35mm, 16mm, Super 16mm
  • Grading shot by shot
  • Antiscratch treatment
  • Noise reduction
  • Timecode started at punch hole
  • Transfer of datas on NAS and made available
  • Script and camera reports checking
  • Checking during the telecinema
  • Checking of the focus and framing
  • Recording format
  • Loading of the cleaned reels


ARCHIVE / RESTORE

  • Filmout : AatonK
  • Negative developer : 16/35mm, positive printer : 35mm : CTM Debrie
  • Filmcleaner : Lipner
  • Scanner 16/35mm : Northlight2
  • Telecinema : Spirit2 HD
  • Image restauration softwares : Nucoda, Phoenix et Pixel farm
  • Magnetic sound transfer : Picot
  • Mixing auditorium : console Euphonix et Icon, sound Meyer
  • Recording auditorium, post-synchro, foley and sound design
  • Sound edtiting : Protools
  • Optical sound transfer : Sondor
  • Master outputs, DCP with verification